{"id":330,"date":"2002-06-01T00:00:00","date_gmt":"2002-06-01T00:00:00","guid":{"rendered":"http:\/\/multiracial.com\/wp\/index.php\/2002\/06\/01\/a-death-in-texas\/"},"modified":"2016-12-13T11:05:36","modified_gmt":"2016-12-13T11:05:36","slug":"a-death-in-texas","status":"publish","type":"post","link":"https:\/\/multiracial.com\/index.php\/2002\/06\/01\/a-death-in-texas\/","title":{"rendered":"A Death in Texas"},"content":{"rendered":"<p><center><H1>A Death in Texas<\/h1>\n<h3>A Story of Race, Murder, and a Small Town&#8217;s Struggle for  Redemption<\/H3> <\/p>\n<h3><i>Excerpt from the book &#8220;<a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/0805066527\/themultiracialacA\/\">A Death in Texas: A Story of Race,<br \/>Murder, and a Small Town&#8217;s Struggle for  Redemption<\/a>&#8220;<\/i><\/h3>\n<p> <\/center> <img decoding=\"async\" align=right src=\"http:\/\/www.multiracial.com\/images\/columnists\/temple-raston.jpg\" alt=\"Dina Temple-Raston\"><\/p>\n<h3><I>by Dina Temple-Raston<\/I><br \/> June\/July 2002<\/h3>\n<p> <!--more--> <center><\/p>\n<h3>PROLOGUE<\/h3>\n<p><\/center> <\/p>\n<blockquote><p><i>&quot;If I owned Texas and hell, <br \/> I&#8217;d rent out Texas and live in hell.&quot;<br \/> <\/i>&#8211;GENERAL P. H. SHERIDAN<\/p><\/blockquote>\n<p> <i>June 7,1998<\/i><\/font><\/p>\n<p><font face=\"Times New Roman\">DEATH HAS A way of making even  slow people hurry. It scares them into seeing things the way they are, instead  of the way they wish them to be. Even small deaths people don&#8217;t expect to  notice, or welcome deaths, which end hard-luck lives or long, painful illnesses,  sweep mourners backward through rooms they have been avoiding for years. So when  the black community in Jasper, Texas, awoke one Sunday morning to hear one of  its own had been killed in some awful way on Huff Creek Road, the phones began  to ring. Ladies who had come to church early, ahead of the Sunday services,  abandoned the hymnals in messy stacks and began counting noses. They called  relatives, and friends, and friends of friends to see if their men were home,  safe, or whether it might be one of their kin dumped on the side of an old  logging road. <\/font><\/p>\n<p><font face=\"Times New Roman\">It was a little after 9 A.M. when Sheriff Billy  Rowles received the call from the dispatcher about the body. His first thought  was a routine hit-and-run &#8212; a commonplace accident on the unlit roads on the  outskirts of town. Deputy Joe Sterling, a baby-faced officer, had come on the  line a little breathless. <\/font><\/p>\n<p><font face=\"Times New Roman\">&quot;It&#8217;s a bad one, Sheriff,&quot; he said over the  crackle. <\/font><\/p>\n<p><font face=\"Times New Roman\">Rowles held the radio closer to his ear as his  truck roared up Highway 190 toward Houston. He had a golf tournament to go to,  Police Olympics, and, as a competitive man, he was determined to play and  intended to win. <\/font><\/p>\n<p><font face=\"Times New Roman\">Yet something about Sterling&#8217;s voice bothered  Rowles. <\/font><\/p>\n<p><font face=\"Times New Roman\">&quot;Joe, should I come down there? I&#8217;m on my way to  Houston now. Shall I come down there?&quot; Rowles said. He was already eyeing the  exits and crossovers looking for an opportunity to turn the truck around. <\/font><\/p>\n<p><font face=\"Times New Roman\">&quot;No, no, don&#8217;t do that, Sheriff, we&#8217;ve got it  under control,&quot; Sterling said, steadying his voice. &quot;We&#8217;ll be fine. Curtis just  rolled up. I&#8217;ll let you know if we come up with something.&quot; <\/font><\/p>\n<p><font face=\"Times New Roman\">Rowles had a feeling he shouldn&#8217;t wait. Moments  later, he had swung his truck around and was headed back to town. <\/font><\/p>\n<p><font face=\"Times New Roman\">Back on Huff Creek Road, Curtis Frame, Jasper&#8217;s  best investigator, was just stepping out of his car. He&#8217;d been to more evidence  schools than the rest of the police department combined and wasn&#8217;t shy about  letting people know it. He was about six feet tall, burly, and bald. (If he was  going to be bald, he had decided, he would do so emphatically. He shaved his  head completely.) He smoked cigarettes nonstop, fanning away the smoke  self-consciously as he exhaled, sensitive to the fact that even in Texas  nonsmokers out-numbered smokers. His leather belt and holster creaking, hardware  jangling, Frame walked over to the body. All the equipment on his belt forced  his arms out from his sides. Sterling fell into step with a similar gait. <\/font><\/p>\n<p><font face=\"Times New Roman\">&quot;Sweet Jesus, there&#8217;s nothing left,&quot; Frame said  to the younger officer as they looked at the torso. The knees and genitalia had  been ground off. The head and right arm were missing. The little that was left  of the body lay near the gate of one of Jasper&#8217;s oldest black cemeteries, one of  those neighborhood resting places that had come to dot the East Texas landscape.  Slave owners and, later, company executives had donated these little patches of  land to the communities so workers would have somewhere to bury their dead. Some  of the graves had headstones; most did not. Those who had passed were  memorialized instead by spirit markers and makeshift crosses in which love was  meant to make amends for the inability to pay for a more proper burial. Sterling  took in the scene around him and then followed Frame with his eyes, watching him  fish a box of rubber gloves out of his squad car. The investigation, Sterling  thought, had officially begun. <\/font><\/p>\n<p><font face=\"Times New Roman\">Huff Creek Road was usually deserted, but for  Sundays. That was when a parade of the faithful, dressed in their churchgoing  finery, made their way to the white clapboard refuge of Rose Bloom Baptist  Church. During those Sunday mornings there wasn&#8217;t much conversation, just the  sound of a small army of feet crunching across the tall dry grasses in the  meadow &#8212; a march to one of the few places where unlettered people could find  solace from the poverty all around them. That&#8217;s why, even before the caravan of  police cruisers and television station vans turned Huff Creek Road into a drag  strip of shiny cars, a crowd of simple country people had already started to  gather. They emerged from small houses in the woods in various states of dress  &#8212; the women in flowered smocks, the men in sleeveless undershirts and dingy  button-downs. They came out just to see who it was, or even what it was, laid  out in front of the unmarked graves of the cemetery. The event had shattered a  quiet Sunday routine. Clothes were half pressed, hair half plaited, children  half washed. <\/font><\/p>\n<p><font face=\"Times New Roman\">The bystanders were a rainbow of the Huff Creek  community: from yellow-skinned blacks with freckles to those who were as dark as  coal. This had been the black part of town for as long as anyone could remember.  It was here in 1867 that great-grandparents had first heard &#8212; more than two  years after the end of the Civil War &#8212; that the Union had won and they were  free. The delayed dispatch, made by a Union major general on June 19, 1865, was  known forever after in Texas as &quot;Juneteenth.&quot; Some people in the black community  said the tardy announcement was the first of many historic delays in Jasper. It  began with the Civil War, continued through the heady days of integration, and  could be seen today in the struggle for real equality among the races. Jasper,  they said, had always been a place where things seemed to happen long after  their appointed time. <\/font><\/p>\n<p><font face=\"Times New Roman\">The roadside crowd of stout women and  broad-shouldered men shaped by the labor of felling trees spoke in quiet voices.  Why had it happened here? Why was the body in front of the cemetery? If this  accident (or was it a murder? &#8212; no one was willing to venture a guess) had  occurred on Farm-to-Market Road 1408, or on one of the dusty tram roads that  shot off into the pines, no one would have discovered the body for weeks, maybe  months. Instead, here it lay, as if it had just decided to pick itself up out of  one of the unmarked graves in the cemetery and settle into a new resting spot on  the pavement outside. The appearance of inaction from the group of onlookers,  their gaping stares from the body to the graveyard to the squad cars and back  again, masked the drama of their thoughts. Was someone trying to send Jasper a  message? And if so, what was it? <\/font><\/p>\n<p><font face=\"Times New Roman\">JUST FIVE HOURS earlier, James  Byrd Jr., had stepped out into the steamy East Texas air to walk down Martin  Luther King Boulevard toward home. The evening had begun the way most evenings  started for Byrd: he had been sitting with friends on a porch drinking Busch  beer enjoying a quiet summer night. <\/font><\/p>\n<p><font face=\"Times New Roman\">&quot;You watch. James Byrd, he&#8217;s going out in  style,&quot; Byrd said, leaning back in his chair, a little tipsy. &quot;The name James  Byrd is going to be on everybody&#8217;s lips. James Byrd.&quot; <\/font><\/p>\n<p><font face=\"Times New Roman\">&quot;You gonna win the lottery? Because that&#8217;s the  only way anyone is going to remember you,&quot; said James Brown, one of Byrd&#8217;s best  friends. &quot;If you&#8217;re going to win the lottery, you can buy me a car. You gonna  buy me a car?&quot; <\/font><\/p>\n<p><font face=\"Times New Roman\">Byrd laughed, sang to himself a little, and  winked at Brown. &quot;You listen to what I&#8217;m saying. When I go, everyone is going to  be calling me Mr. Byrd. Not Byrd-man or Toe or James. They&#8217;ll be using Mister.&quot; <\/font><\/p>\n<p><font face=\"Times New Roman\">&quot;Then you better be buying up those lottery  tickets,&quot; Brown said, handing his friend another bottle. &quot;Because that&#8217;s the  only way you&#8217;ll be making a name for yourself.&quot; <\/font><\/p>\n<p><font face=\"Times New Roman\">Things might have been different if James Byrd  had taken the ride Brown offered him later that night. Byrd had decided instead  to have just a couple more drinks before walking home from Willie Mays&#8217;s party.  Brown and Byrd had been there together, singing, playing music, having a good  time. Byrd didn&#8217;t want to leave. He was having fun. He was always trying to have  a good time. <\/font><\/p>\n<p><\/p>\n<h3><center>About the Book<\/center><\/h3>\n<p>  <b><center><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/0805066527\/themultiracialacA\/\">A Death in Texas: A Story of Race, Murder, and a Small Town&#8217;s Struggle for  Redemption<\/a><br \/> by Dina Temple-Raston<\/b><br \/><\/center> <\/p>\n<table align=right>\n<tr>\n<td><center><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/0805066527\/themultiracialacA\/\"><img decoding=\"async\" src=\"http:\/\/www.multiracial.com\/images\/store\/adeathintexas.jpg\" VSPACE=10 BORDER=0><\/a><br \/><font size=1 face=\"arial\"><\/center><\/td>\n<\/tr>\n<\/table>\n<p> <\/p>\n<blockquote>\n<blockquote>\n<blockquote>\n<p align=\"center\"><font size=\"4\" face=\"Times New Roman\">A vivid account of how a  small Texas town faced up to its racist past in the wake of the brutal murder of  James Byrd Jr.<\/font><\/p>\n<\/blockquote>\n<\/blockquote>\n<\/blockquote>\n<p><font face=\"Times New Roman\">Before 1998 few Americans had ever heard of  Jasper, Texas. That all changed on June 7, 1998, when a trio of young white men  chained a forty-nine-year-old black man named James Byrd Jr. to the bumper of a  truck and dragged him three miles down a country road. In the hours after Byrd&#8217;s  body was found in pieces on Huff Creek Road, Jasper&#8217;s white community tried to  believe that one of their own had not committed the crime. That hope was  shattered when the trail of blood and evidence led directly to two local men,  Bill King and Shawn Berry, and King&#8217;s former jail house companion Russell  Brewer. Within twenty-four hours, Sheriff Billy Rowles had gotten a confession  and the trio was charged with capital murder.<\/font><\/p>\n<p><font face=\"Times New Roman\">From the initial investigation through the  trials and their aftermath, <i>A Death in Texas<\/i> follows the turns of events  through the eyes of Billy Rowles &#8212; an enlightened lawman determined to take  lessons from the tragedy &#8212; and other townspeople trying to come to grips with  the killing. Rowles kept local emotions in check as an onslaught of outsiders  intent on sowing division &#8212; from the national media to hooded Klansmen and  gun-toting Black Panthers &#8212; descended on this small lumber town in the Piney  Woods of East Texas. And when the trials began, Rowles stood watch over Jasper  as prosecutors painted a chilling picture of the crime, reporters sought  concrete explanations for evil, and jurors &#8212; townspeople who knew the  defendants &#8212; struggled with convicting three young men of murder and possibly  sentencing them to death. <\/font><\/p>\n<p><font face=\"Times New Roman\">Drawing on extensive interviews with key  players, journalist Dina Temple-Raston brings to life a cast of remarkable  characters: the unrepentant baby-faced killer, Bill King; Jasper&#8217;s white  patriarch and former Jack Ruby defense attorney, Joe Tonahill; the hard-drinking  James Byrd; the determined district attorney, Guy James Gray; and Sheriff Billy  Rowles, who held the town together. <\/font><\/p>\n<p><font face=\"Times New Roman\">An extraordinary feat of reporting and  narrative, Temple-Raston&#8217;s <i>A Death in Texas<\/i> is not only the authoritative  account of an infamous killing, but a provocative, deeply affecting story of  race in America. <\/p>\n<p> <B><font size=\"3\">Author<\/font><\/B><font size=\"3\"><br \/> <b>Dina Temple-Raston<\/b><\/font> spent her early journalism career as a foreign  correspondent in China and Hong Kong and was a longtime White House reporter for  Bloomberg Business News. This is her first book. She lives in New York City. <\/font><\/p>\n<p> <B><P><font size=\"3\" face=\"Times New Roman\">Reviews<br \/> <\/font> <\/B> <font size=\"3\" face=\"Times New Roman\">&quot;With its first-class  reporting of what is undeniably a first-class &#8212; if appalling &#8212; American story, <i>A Death in Texas<\/i> is likely to be a classic, unforgettably chilling and  precise. This is a book that leaves fingerprints on the mind.&quot; <br \/> &#8211;Simon Winchester, author of <i>The Professor and the Madman<\/i> and <i>The Map  that Changed the World<\/i><\/font><\/P> <P><font size=\"3\" face=\"Times New Roman\">&quot;This book is not just the story of a  tragic, senseless murder; it is the story of a town and a state forced to  examine racial prejudice, statutes, and shame. It is superbly crafted.&quot; <br \/> &#8211;Ann Richards, former governor of Texas<\/p>\n<p> &quot;The good, the bad, and the indifferent, all frozen in a historic moment, make <i>A Death in Texas<\/i> the next <i>In Cold Blood<\/i>. A powerful, well-told  story.&quot; <br \/> &#8211;Morris Dees, Southern Poverty Law Center<\/p>\n<p> &quot;A . . . powerful chronicle of a hate crime . . . and the soul-searching that  resulted for the residents of Jasper, Texas . . . Not just a painstaking anatomy  of a murder, but of the intractable difficulties in resolving America&#8217;s ongoing  racial dilemma.&quot; <br \/> &#8212;<i>Kirkus Reviews<\/i> (starred review) <\/font> <\/P>  <\/p>\n<hr>\n<p><b><\/p>\n<p align=\"center\"><small><small><small><font face=\"Tahoma\">Copyright \u00a9 2001 Dina Temple-Raston, reprinted by permission. 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